Noise, color, dialogue between harmony and caos.
This painting works are developed researching about abstract composition, connected with harmonies and contrast of colours, textures and shapes, wich are displayed on the painting base. These forms are born from a geometric synthesis and they become dynamic forms after passing through a composition-decomposition process. The proposal comes out through the study of the “Manifesto” of Kazimir Malevich (1920). In his work the author presented the idea of an abstract composition, completely away from the figurative art, wich came out of making the artistic sensitivity something concrete, and through this composition the author is able to transmit feelings to the viewer, to unblock the search of references to reality.